Amplifying female voices onstage and beyond
video links of solosirens symposium 2022
Introduction/Welcome
Performance of 'Sea Shanty'
Performance of 'Sea Shanty'
Welcome address
by Jenny Macdonald - Director SoloSIRENs and Tony Fegan - Director Tallaght Community Arts.
Performance of 'Sea Shanty'
Performance of 'Sea Shanty'
Performance of 'Sea Shanty'
'Sea Shanty' composed by Pauline Dalton
Performed by SoloSIRENs Collective - Melody Chadamoyo, Neltah Chadamoyo, Pauline Dalton, Farah Elle, Martha Knight and Sailí Áine Ní Mhurchú.
Role of Symposia
Performance of 'Sea Shanty'
Reading of the Myth of 'Cessair'
Brief overview of why we use symposia
Jenny Macdonald gives an overview of why we use the platform of a symposium.
Reading of the Myth of 'Cessair'
Panel Discussion Part One: Participation and its connection to feminist aesthetics
Reading of the Myth of 'Cessair'
'Cessair' myth
Read by SoloSIRENs Collective members Melody Chadamoyo and Sailí Áine Ní Mhurchú
Panel Discussion Part One: Participation and its connection to feminist aesthetics
Panel Discussion Part One: Participation and its connection to feminist aesthetics
Panel Discussion Part One: Participation and its connection to feminist aesthetics
. Part One: The ‘Cessair’ process and performance
Moderator: Tatiana Santos
Panellists: Neltah Chadamoyo, Jenny Macdonald and Sailí Áine Ní Mhurchú.
Followed by a script reading written by Neltah Chadamoyo and performed by Neltah and members of the audience.
Panel Discussion Part Two: Participation and its connection to feminist aesthetics
Panel Discussion Part One: Participation and its connection to feminist aesthetics
Panel Discussion Part One: Participation and its connection to feminist aesthetics
Part Two: Story Sharing and Collecting
Moderator: Ann Blake
Panellists: Melody Chadamoyo, Pauline Dalton, Denise Hannon, Helen Henderson, Alita Rivero and Jennifer Webster
Beginning with an overview of the creation of the soundscape of 'Cessair' by sound designer Martha Knight